Image Credits

The Resurrection

Every image on the debate page, with its source, license, and the reason it was chosen. The artwork is public-domain and freely-licensed material from Wikimedia Commons: paintings of the death, the empty tomb, the appearances, and the conversion of Paul that the two scholars argue over. Creative Commons works are noted below.

Image Work & Attribution License Where it appears Why it’s included
The Resurrection resurrection.jpg The Resurrection Piero della Francesca c. 1463-1465 Source ↗ Public domain Hero background Piero’s risen Christ rising over sleeping guards: the claim the whole debate is about.
The Four Evangelists four-evangelists.jpg The Four Evangelists Jacob Jordaens c. 1625 Source ↗ Public domain Hero ornament · Question I medallion The gospel-writers whose testimony the debate first has to weigh.
Papyrus 52, Gospel of John 18:31-33 gospel-papyrus.jpg Papyrus 52, Gospel of John 18:31-33 Unknown (2nd-century scribe) Papyrus 2nd century CE Source ↗ Public domain Hero ornament · Stats backdrop P52, the earliest surviving scrap of a gospel: the fragile physical basis of the sources.
Christ Pantocrator (Saint Catherine’s Monastery, Sinai) christ-pantocrator.jpg Christ Pantocrator (Saint Catherine’s Monastery, Sinai) Unknown (Byzantine icon) 6th century CE Source ↗ Public domain Hero ornament · FAQ backdrop The Sinai Pantocrator: the figure at the center of the question.
The Incredulity of Saint Thomas incredulity-thomas.jpg The Incredulity of Saint Thomas Caravaggio c. 1601-1602 Source ↗ Public domain Origin section figure Thomas demanding to touch the wounds: the oldest version of the debate’s own demand for evidence.
The Resurrection empty-tomb.jpg The Resurrection Paris Bordone mid 16th century Source ↗ CC BY-SA 4.0 At-a-Glance backdrop · Question III medallion The risen Christ leaving the tomb: the empty-tomb claim the scholars test.
Crucifixion (Louvre) crucifixion.jpg Crucifixion (Louvre) Andrea Mantegna c. 1457-1459 Source ↗ Public domain Question II medallion (Did Jesus really die?) Mantegna’s crucifixion: the death that has to be established before any resurrection.
Supper at Emmaus supper-emmaus.jpg Supper at Emmaus Caravaggio 1601 Source ↗ Public domain Question IV medallion (Who saw him?) Caravaggio’s Emmaus: a reported appearance of the risen Jesus, the kind of testimony the debate scrutinizes.
Conversion on the Way to Damascus conversion-paul.jpg Conversion on the Way to Damascus Caravaggio c. 1600-1601 Source ↗ Public domain Question V medallion (And then there’s Paul) Caravaggio’s Paul struck down on the road: the conversion a skeptic has to explain.
Christ Preaching (La Petite Tombe) christ-preaching.jpg Christ Preaching (La Petite Tombe) Rembrandt van Rijn c. 1652 Source ↗ CC0 Question VI medallion · “Prepare to Rethink” backdrop Rembrandt’s teaching Jesus: the figure the “minimal facts” argument tries to reach.
The Transfiguration transfiguration.jpg The Transfiguration Raphael 1516-1520 Source ↗ Public domain Instructor backdrop · Highlights backdrop Raphael’s glorified Christ: the claim of the supernatural that the historian has to reckon with.
Pentecost pentecost.jpg Pentecost El Greco c. 1600 Source ↗ Public domain Bonuses backdrop El Greco’s Pentecost: the movement the first witnesses launched after the events in question.
Michael R. Licona licona.jpg Michael R. Licona Photo: John Patrick Wright 2014 Source ↗ CC BY-SA 3.0 Highlights image card (arguing for) Dr. Mike Licona, who argues the for-side of the debate.

Public-domain works are reproduced freely. CC BY / CC BY-SA images are credited to their photographers as required; follow each Source link for the full license text.